One night stand game ariane3/18/2023 Thus following in William Dampier's transverse-reverse-converse footsteps across time and place, Fernanda and Victor photograph, film, write, draw, sketch their way to and from all the lighthouses, recording every detail right down to the GPS coordinates. During his time, in some ways he lit up and fired peopleʼs imaginations regarding the unreachable, and hardly known lands. In his diaries, he performed cut and paste of information, using his buccaneerʼs skills, to recreate the world filtered by his own eyes. For her, he is a sort of Google from the 17th century. "William Dampier was our inspiration to the explorerʼs aspect of Carolina: the way he investigated the world throughout his trips around the world as well as his drawing/writing documentations. Fernanda and Victor document everything, like the British adventurer William Dampier who is another source of inspiration for their project and who had even landed on the shores of Brazil: Another one is found, unexpectedly, inland, stranded like an upturned whale hanging by its tail. Others are perched precariously on cliff edges. They discover lighthouses with names like Longships and St Just, Tater Du and Godrevy. And so with this timely timeless companion, Fernanda and Victor start beating their way to 12 lighthouses during October and November in 2008, along the leggy rugged coast of southwest of England. The truth is Carolina has existed long before Fernanda and Victor: Or again in the 1980s in Brazil, when Carolina was one of the most popular names of the day. Or the same words turn up again in 2006 in that bricolage-showcase of popular culture, the american cartoon, South Park. 'Carol Anne - Don't Go into the Light!' is the epic cry at a turning point in the film. This is how they explain the presence of this stranger in their midst, Carolina, who is also referenced in decades of popular culture, like in the 1970s horror movie Poltergeist. Differently from many other artistsʼ partnerships, in our case, the subject itself ended up establishing the identity of our collaboration." "Us working together “only exists” because of her so weʼll only get rid of her (or sheʼll get rid of us) when we have decided the work is finished. Without her, they wouldn't exist as a couple working on a shared artistic enterprise: She is just a metaphor for Fernanda and Victor's first artistic collaboration together: both its reason and its subject. But the truth is stranger still - because in fact she does not exist. And so her quest begins, bringing Fernanda and Victor in her slipstream to these English shores. She feels compelled to find the light and follow its sweeping arc wherever it leads her. One day, out of the blue, she sees a light coming out of a drawing of a lighthouse that is hanging on her wall. She knows everything there is to know about ships and tides, fish and coastal maps. Or so their story goes.Ĭarolina is a young student in Sao Paulo, they say, who has a passion for gardening and anything to do with the sea. To enable them do this, they have an accomplice, they tell me. That's why they are in England for five months - to go to not just one lighthouse, but to many - however impossible or dangerous they may turn out to be. They talk of how the beam of Virgina Woolf's prose has caught them in its glare and never let them go. The artist-lovers sit, in-be-tween worlds and moments, one deepening Autumn evening in 2008 at the start of their journey, in St James's Park in London, under trees whose leaves are singed with scarlet and orange. She, Fernanda Chieco.īoth are other-worldly, somehow fittingly so, lured to England from South America by a love of Virginia Woolf and her modernist stream of consciousness novel 'To the Lighthouse', published in 1927. The other is an artist, who appears as tall as the sky, treading the earth with the care of a mermaid, a waterfall of golden corkscrew hair tumbling down her back. One is a film maker from Uruguay who looks as if he carelessly shrugs on his clothes, stepping straight out of a Jean Luc Goddard movie, with watchful eyes and a crown of hair laced with silver.
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