Poseidon costume3/17/2023 But he’s bullied into going along with the rest of them.ĭespite knowing full well that Ankur isn’t comfortable being in the venue, Rachel, Chris, and Kaleb keep messing around with him (while also throwing some racist “jokes” at him). Ankur is the only one who thinks going back in there for a music video is a desecration of the deceased band members’ memories. The worst part was that they died in the stampede caused by their own fans and were then burnt by the scorching flames. Everyone attending the concert survived, but RC, Charissa, Jessie, and Dierdre perished there. As per Chris, one night when the band Bitch Cat – which was made of RC (Tybee Diskin), Charissa (Aminah Nieves), Jessie (Kellye Missal), and Dierdre (Verona Blue) – was performing, the place went up in flames. They want to record their new music video in a venue that has been shut down because of its tragic history. Written and directed by Maggie Levin, the first anthology short film follows a punk rock group named RACK, which comprises of Rachel (Jesse LaTourett), Chris (Dashiell Derrickson), Ankur (Keanush Tafreshi), and Kaleb (Jackson Kelly). So, I’ll be going through each segment to explain what each of these stories mean and the significance of its post-credit scene and the interludes (since they tie in to the post-credits). Instead, parts from one of the short films serve as interludes. While the previous “V/H/S” films did have an overarching narrative, this one doesn’t. Sticking to the storytelling style established in the 2012 film, “V/H/S/99” tells five disconnected narratives set in 1999. But great entries do exist in the form of “ The Incantation,” “ The Medium,” “Trollhunter,” “The Visit,” “Project Almanac,” “The Taking of Deborah Logan,” “Afflicted,” “As Above So Below,” “Host,” “Spree,” “Deadstream,” “Unfriended,” “Searching,” the “Creep” duology, and “Dashcam.” Now, irrespective of the state of the subgenre, the one franchise that has consistently delivered interesting stories is “V/H/S.” And its latest entry, “V/H/S/99,” is no different. That led to the general consensus that found-footage cinema died in the late 2000s. However, as this subgenre of horror got mainstream, the production value became too polished, and the overall quality waned. That said, there’s no argument about the fact that 1999’s “The Blair Witch Project” paved the way for the “Paranormal Activity” franchise, “REC,” “Cloverfield,” “Chronicle,” and more. There’s some dispute over whether Ruggero Deodato’s “Cannibal Holocaust” is the first found-footage film or Orson Welles’s “The Other Side of the Wind” because the latter predates the former by a decade.
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